Being away from home means the painting hasn't been "daily", but it continues. This week I found the "white bristle" brush in my hand, rather than the nylon bristles, and have been making both gradations of colour and very thin stripes -- both done very quickly, without agonising over decisions.
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| Before |
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| Pink changes |
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| Adding orange |
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| More orange! |
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| Colour still shows through the fresh layer of white |
A magazine cut-out of a Gillian Ayres print is still floating around near the tubes of paint, and when I get stuck for a colour to add next, I choose one from the print and see what happens. The latest addition was the white and the mid-blue; next, another layer of white perhaps?
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| "Tivoli" by Gillian Ayres (via) |
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| More prints by Gillian Ayres |
Another good colour source would be a painting by Ivon Hitchins - I love his colour combinations and especially the balance of colours in the compositions, whether vivid or sombre -
And then there are the flower paintings of Winifred Nicholson. "Honeysuckle and sweet pea" (
via) especially sings out to me ... the exuberance of the yellow, offset by the pale blue-green -
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| More of Winifred Nicholson's flower paintings |
Some of her work is on show at
Dulwich Picture Gallery till 21 September, along with the work of her husband Ben and their friends Kit Wood, Alfred Wallis, and William Saite Murray; a review is
here.
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